Medea is the Greek mythological character who kills her own children. Hers is a storyline that has so resonated with us that nearly every generation has had its own adaptation or interpretation of her. In her adaptation of the myth, Yara Travieso (2016 Performing Arts), does not provide the audience with one version, but a multiplicity of interpretations simultaneously. Her Creative Capital project, La Medea, premieres this weekend as part of PS122’s 2017 COIL Festival. True to the concept of multiplicity, there are a number of ways to experience the work: either live at BRIC on January 20-22, where the audience will watch and also take part in the making of the film; livestreamed online; or, eventually as a film produced by Dance Films Association. Amid preparing for the performance, Yara joined us at our offices to talk more about the project.
Alex Teplitzky: Ok, start with a run down of the project. What is La Medea?
Yara Travieso: La Medea is essentially a made-for-camera, Latin-disco, pop musical that is simultaneously a show, and a livestream feature film. It’s based on Euripides’ Greek tragedy of Medea. I’ve readapted, rewritten the work to fit inside a musical composed by Sam Crawford and to exist as a live-television special tell-all, all surrounding this one myth-character Medea. It’s a portrait of her more than anything else, and it takes on many forms: it’s a musical, it’s a dance-theater work, it’s a feature film, it’s a live-television special, it’s a concert. It takes on many lives.