Kerry Skarbakka, “Window,” 2009
As we gear up for Creative Capital’s presentation at the 2014 IdeaFestival in Louisville, we asked one of the presenting artists, Kerry Skarbakka (2005 Visual Arts), to contribute to our blog. He responded with “The Making of Window,” a rare, behind-the-scenes look at how he created the photograph (shown above) of the artist jumping through a window.
Skarbakka photographs himself in extreme situations, and his works explore the physical and psychological effects of the environment on the body. Skarbakka wrote to us, “In 2009, during the height of the recession, I wanted to make an image that reflected the effects of the housing crisis. Because of the sheer difficulty of making this particular shot, Window has always been one of my favorite images.” Continue reading
Left: Sam Van Aken, Blind Spots, 2014. Silver nitrate photograph.
Right: Julia Christensen, Burnouts, 2014. Videos, plastic with mirrors, glass lenses, smartphones.
On October 2, Creative Capital Artists Juan William Chávez, Julia Christensen, Robert Karimi and Kerry Skarbakka present with Ruby Lerner at IdeaFestival, a celebration for the intellectually curious that takes place each fall in Louisville, KY. This is the fifth year that Creative Capital has presented a session entitled “Art on the Edge” to introduce the diverse audiences at this international convening to the work of four remarkable artistic innovators. Sam Van Aken, also a Creative Capital awardee, will present a separate session, “Disruptive Thinking and a Hole in the Sky,” on October 3. Both presentations take place at 10:30am EST. You can read profiles of all the artists on the IdeaFestival website and follow the presentations live on Twitter (#IF14).
In conjunction with IdeaFestival, 21c Museum Hotel is presenting 21c Celebrates Creative Capital: A 15th Anniversary Exhibition, featuring the work of 18 Creative Capital awardees including Peggy Ahwesh, Nick Cave, Chris Doyle, Simone Leigh, Eve Sussman, and the five artists presenting in this year’s IdeaFestival. The exhibition, which opens on September 30 and runs through March 2015, includes an installation of Julia Christensen’s Burnouts project, a series of projectors made out of recycled iPhones. Continue reading
Connie Samaras, “Edge of Twilight (1),” 2011-14 . Creative Capital 2014 Edition (edition of 150). 10″ x 12.5″ digital print on 11″ x 17″ paper. Price: $500.
Every year, we partner with a Creative Capital Artist to create a special project or edition for our Benefit & Auction. This year, for our 15th Anniversary Benefit, which takes place in New York on October 21, we are thrilled to offer a stunning photo by Connie Samaras (2012 Visual Arts) to everyone who purchases a Premium Benefit Ticket ($500). The image is from Edge of Twilight, a series of photos and videos shot at an all woman, predominantly lesbian, RV retirement community located in the U.S. Southwestern desert. Samaras shot close-ups of the RV homes on film late at night under the park’s safety lights, capturing eerie, somewhat unearthly light and colors.
Samaras, who is based in Los Angeles, recently had a major survey of her work dealing with the future imaginaries of global capital, Tales of Tomorrow, at the Armory in Pasadena. The exhibition was accompanied by a beautiful catalogue funded by the Warhol foundation and available through DAP/artbook. I connected with Connie to learn more about her Creative Capital edition and the Edge of Twilight series.
Ali Dadgar, “Revolusign” installation view, 2014, mixed media on panel
Taraneh Hemami (2012 Visual Arts) premieres her Creative Capital-supported project, Theory of Survival: Fabrications, at Southern Exposure in San Francisco, September 5 – October 25. Drawing inspiration from a traditional Persian marketplace, Fabrications takes the form of a pop-up bazaar featuring work by 12 California-based Iranian artists exploring decades of collective activism and revolutionary actions inside Iran and in its larger diaspora. Within a labyrinth of niches and patterned archways designed by the H. Majd Design Group, the Fabrications bazaar is a site for gathering and exchange focused on Iranian political and cultural historical moments. Market booths overflow with handcrafted and manufactured objects; a library boasts a growing collection of publications and archives; and a teahouse becomes a stage for performances, games and storytelling. Continue reading
Mario Ybarra, Jr. presents at the 2013 Creative Time Summit.
Creative Capital Artist Mario Ybarra, Jr. (2008 Visual Arts) had a banner year in 2013. He was a featured speaker at the 2013 Creative Time Summit, had a solo show at Honor Fraser Gallery in Los Angeles, and his Creative Capital project, Curry Corndog Stand, premiered at the San Jose Museum of Art as part of a major exhibition, Around the Table: food, creativity, community. He had an acclaimed installation as a part of ARCO International Contemporary Art Fair in Madrid and a residency with a solo exhibition at the Fabric Workshop and Museum in Philadelphia. He moved his art collective, Slanguage, to a bigger space to accommodate more artists. Ybarra received praise over the past year from New York Times Magazine blog, The Los Angeles Times, Hyperallergic.com, Art in America, ArtInfo and Flashart.
Congrats on all that you’ve accomplished, Mario! We can’t wait to hear what 2014 holds in store for you. Continue reading
Otabenga Jones & Associates, “The People’s Plate” mural, which utilizes imagery by graphic artist and Black Panther Minister of Culture Emory Douglas
On February 28, Otabenga Jones & Associates (2008 Visual Arts) premieres The People’s Plate, a collaborative art project and public health program addressing the ongoing crisis of obesity and its related risks. The Collective will unveil a public mural at the Lawndale Art Center in Houston and launch a series of adjacent programs, kicking off a year-long commitment to health education.
Inspired by the Black Panther Free Breakfast for School Children Program, which saw the Panthers cooking and serving breakfast to poor inner city children, The People’s Plate aims to provide at-risk community members with a set of tools that encourage self-sufficiency and empowerment in maintaining their own health through food choices while building community. Programs at Lawndale and other Houston venues will include cooking classes, a foraging workshop, an urban gardening workshop, an instructional cooking video and a line of mass-produced lunchboxes that will be made available to the public. Continue reading
2005 Visual Arts Awardee Pablo Helguera recording “Parallel Lives” at the Solomon R. Guggenheim Museum
What does applying to Creative Capital really mean? What do you have to do to make it happen?
Creative Capital is one of the only national nonprofit organizations that offers awards to individual artists through an open application process. This means that anyone can apply, as long as you meet our basic eligibility criteria. In the past, Creative Capital has received 2,700 to 3,200 Letters of Inquiry (LOIs) in each award round. We work all year with arts professionals throughout the country to review your proposals before announcing the 46 funded projects.
On February 3rd, our application website will open to accept your LOI, with a submission deadline of February 28. The LOI is just a written proposal with no work samples. Once you fill out your contact information, education, professional accomplishments, and the name and email of one reference, you can begin to fill out your project proposal.
Braden King and Matthew Moore, CUMULUS
This fall, Braden King (2005 Film/Video) and Matthew Moore (2008 Visual Arts) were in residence at Grand Central Art Center (GCAC) in Santa Ana, CA, creating the multimedia installation Cumulus (on view through January 5, 2014). A massive, four-ton, 60-foot long sculpture and video installation that employs custom programming and projection mapping, Cumulus is a meditative reflection on the 100th anniversary of the Los Angeles Aqueduct.
GCAC’s Director and Chief Curator, John Spiak, describes the installation: “Through the use of building materials, specifically used scaffolding planks, the artists have created a massive pipeline that emerges from one side of the gallery before quickly disappearing into the other. Projected upon it are moving images of atmosphere and landscape, traversing its surface as fluidly as water flows through the aqueduct itself.” Continue reading