Katrin Sigurdardottir On Drawing and Sculpting Space

Katrín Sigurðardóttir, "Supra Terram," 2015. Installation view at Parasol unit foundation for contemporary art. Photo: Jack Hems; Courtesy of Parasol unit.

Katrín Sigurðardóttir, “Supra Terram,” 2015. Installation view at Parasol unit foundation for contemporary art. Photo: Jack Hems; Courtesy of Parasol unit.

Katrín Sigurðardóttir (2015 Visual Arts) is premiering her Creative Capital-supported project with “Supra Terram,” a site-specific installation at Parasol unit in London. Supra Terram (from the Latin term for ‘going above ground’) is a large grotto-like sculpture that extends through the ceiling of Parasol unit’s ground-floor gallery into the gallery space above. I connected with Katrín to learn more about this project and her ongoing exploration of duality and shifting perspective in sculptural installations.

Jenny Gill: Much of your work is site-specific and architectural in nature. Can you talk about the interplay between sculpture and architecture in your work?

Katrín Sigurðardóttir: I am primarily interested in the notion of place, and place is manifested in natural or man-made topography. I use architectural techniques and technologies to describe places; I am less interested in architecture as a means to solve problems, spatial or functional. And even if I am of course concerned with how materials build up, I see this as a basic concern in sculpture. I don’t know if I approach materials or structure in the same way an architect would. Continue reading

What Is the Arts Writers Grant?

abcd1

Raoul Hausmann – ABCD or Portrait de l’artiste from Silvia Kolbowski’s art blog

If you’re a writer who focuses on contemporary art, you know that money for your craft is hard to come by. Sadly, even for some of the best arts writers out there, this can affect the time and effort one has to put into writing books, articles, essays and blog posts. With this in mind Creative Capital and the Warhol Foundation got together in 2006 to launch the Arts Writers Grant Program. The Arts Writers program really believes that quality writing deserves to have good funding behind it, and that this can change how writing about the arts is discussed, perceived and even made. The grants range from $15,000 to $50,000 to individual writers in five categories: Article, Blog, Book, New and Alternative Media, and Short-Form Writing. The program is currently accepting applications through May 21st!

What kind of arts writing does the Arts Writers Grant Program typically fund? After nine years, it’s pretty clear that there is nothing typical in this field! Continue reading

Video Profile: Eric Dyer, Modern Master of the Zoetrope

Remember those zoetropes you had as a kid showing the silhouette of a galloping race horse? Baltimore artist Eric Dyer has developed the concept of this pre-cinema device to stunning results. For his Creative Capital project, Short Ride, he is building a massive tunnel you can walk through with thousands of moving parts. We interviewed Eric during his recent exhibition at Ronald Feldman Fine Arts. To learn more about Eric Dyer and Short Ride, click here.

 

Ken Gonzales-Day Examines Racially-Motivated Killings, Past and Present

Ken Gonzales-Day, “Hands Up,” 2015. Chromogenic print.

Ken GonzalesDay (2012 Visual Arts) will premiere his Creative Capital-supported project with the solo exhibition, Ken GonzalesDay: Run Up, on view at Luis De Jesus Los Angeles from April 4 through May 9, 2015. Run Up is the latest chapter in GonzalesDay’s acclaimed Erased Lynching series, selections of which have been acquired by the Smithsonian Institution, the Norton Museum of Art and numerous private collections, and exhibited in museums and galleries in Los Angeles, New York, Toronto, London, Paris, Vienna, Mexico City and other major cities. I connected with him to learn more about this timely project.

Jenny Gill: Your past work has involved a lot of archival research, exploring histories of racial profiling and racially motivated crime. These issues have really come to the forefront in the past year with the shootings of Trayvon Martin in Florida, Michael Brown in Ferguson, and other police violence. Did this body of work shift in response to those current events?

Ken Gonzales-Day: The work is directly informed by recent events but my research on vigilantism and lynching began in 2000. The early research looked at the lynching of Mexicans and other people of color in California as a way of expanding our understanding of the history of lynching in the United States, and to more accurately reflect its impact in the American West. My book, Lynching in the West: 1850-1935 (Duke, 2006) included over 350 cases of lynching and vigilantism in California and was able to document the many communities of color that were touched by this history. This new series of works grew out of that research but it is also responding to both the similarities, and the differences, between lynching and the kinds of racialized violence that are occurring today. Continue reading

Ronald Feldman Fine Arts Presents “Wave & Particle”

unnamed-1

Wave & Particle: A group exhibition celebrating Creative Capital’s 15th anniversary
February 14 – March 21, 2015
Ronald Feldman Fine Arts
31 Mercer Street, New York, NY 10013
Open Tuesday – Saturday 10am-6pm; Monday by appointment
Reception: Saturday, February 14, 6-8pm

 

Featuring Creative Capital Awardees: Janine Antoni, Edgar Arceneaux, Heather Cassils, Patty Chang, Julia Christensen, Chris Doyle, Eric Dyer, LaToya Ruby Frazier, Ken Gonzales-Day, Brent Green, Kelly Heaton, Shih Chieh Huang, Jennie C. Jones, Brian Knep, Simone Leigh (featuring Sharifa Rhodes-Pitts), Jennifer & Kevin McCoy, Matthew Moore with Braden King, Carlos Motta, Jeanine Oleson and Laurie Jo Reynolds and Jean Casella, Karyn Olivier, Jason Salavon, Gregory Sale, Miriam Simun, Jesse Sugarmann, SuttonBeresCuller, Sam Van Aken, Quintan Ana Wikswo (list in formation)  

Continue reading

Lessons in Sustainability: Five Questions for Sharon Louden

Sharon teaching at Chautauqua

Sharon Louden teaches at the Chautauqua Institution.

This winter, artist Sharon Louden hosts her first four-part webinar series: How to Approach, Engage & Communicate with Galleries, Museums & the People You Want to Know. This series is now sold out, but stay tuned for information about more webinars with Sharon in the spring and fall! Interested in hearing about upcoming dates or joining the waitlist for this series? Email us!

Sharon is also the editor of the 2013 compilation, Living and Sustaining a Creative Life: Essays by 40 Working Artists, which offers realistic insight into how artists juggle their creative lives with the everyday needs of making a living. 

We had the opportunity to ask Sharon five questions about how she manages to sustain her own practice, and what she’s learned along the way.  Continue reading

Announcing the 2015 Creative Capital Artists: $4,370,000 Awarded to 46 Moving Image and Visual Arts Projects

Creative Capital's 2015 awardees

Creative Capital is pleased to announce its 2015 awardees in the categories of Moving Image and Visual Arts, representing a total of 46 funded projects selected from a nationwide pool of more than 3,700 proposals. Drawing on venture-capital principles, Creative Capital seeks out artists’ projects that are bold, innovative and genre-stretching, then surrounds those artists with the tools they need to realize their visions and build sustainable careers.

The 2015 Creative Capital Artists are an incredible group of creative thinkers, representing 50 artists at all stages of their careers with an age range of 28 to 80 years old. They hail from 13 states plus Puerto Rico and Canada; more than half are women, and more than half identify as non­-European American. Each funded project receives up to $50,000 in direct funding, plus additional resources and advisory services valued at $45,000, making the organization’s total 2015 investment more than $4,370,000.  Continue reading

The Creative Capital Award – Who Helps Us Decide?

 

Today, we announced the 2015 Creative Capital Artists in Moving Image and Visual Arts. We could not be more excited about the 46 new funded projects—an incredibly diverse group hailing from 13 states plus Puerto Rico and Canada. We’ve arrived at this day thanks in huge part to the work of our valued colleagues who help us select each group of Creative Capital Artists. While we worked with more than 100 consultants during the ten-month process, two consultants advised us during the entire award round, reviewing submissions at every stage. I asked Mike Plante (Programmer at the Sundance Film Festival and our Program Consultant for Moving Image) and Dean Daderko (Curator at the Contemporary Arts Museum, Houston, and our Program Consultant for Visual Arts) a few questions about what it was like to work with Creative Capital on the process.

Lisa Dent: What motivated you to work with Creative Capital as a Program Consultant for this award round?

Mike PlanteMike Plante: Everyone wants to help artists and filmmakers make a project but it’s difficult to know how to actually do it. Creative Capital has made the blueprint. It’s rare to give filmmakers and artists money with few strings attached, but that is exactly what CC does. To be part of a process that finds amazing artists across the country, discuss their ideas and the path they are on – and to then give them not only financial help but real-world advice about balancing work and life. It’s really a dream project.

Photo by Matthew Rowe, Houston

Dean Daderko: My motivation is pretty simple: I know of no other funding body that is as forward-thinking, as deeply generous, or as profoundly invested in being responsive to artists’ practices as Creative Capital. They fund the projects other organizations wouldn’t even consider! The end game here isn’t a substantial check—their commitment begins well before artists reach this stage, and continues throughout the life of the project, and beyond! Creative Capital understands fundamentally that by working with artists as partners—and by providing not just money, but thought, time and rich reserves of resources and connections—that they can positively and productively shape the future. Their unconventional and deeply responsible approach gives artists an incredible amount of agency, and they’re invited to bring their creative approaches to innovating and developing a game plan that’s uniquely responsive to the goals and concerns of their projects. The success they’ve had with this artist-centric strategy speaks for itself: so many artists will tell you what a dream it is to work with Creative Capital. Of course it doesn’t hurt that the staff are some of the friendliest, most helpful, and well-connected people around either! Ruby Lerner is my hero! Continue reading

Why We Support Adventurous Art: Ruby Lerner & Lisa Dent on Creative Capital’s Award Process

Still from Janine Antoni's "Touch."

Still from Janine Antoni’s “Touch.”

We’re gearing up for a busy winter at Creative Capital, as we prepare to announce our 2015 class of Visual Arts and Moving Image Awardees this Wednesday and to open our application for Emerging Fields, Performing Arts and Literature grants in February. I caught up with Ruby Lerner (Creative Capital’s President and Executive Director) and Lisa Dent (Director of Resources & Award Programs) to reflect on our original mission, the projects that have astonished us over the years and why we continue to support risk-takers.

Maura Guyote: Creative Capital has always been committed to supporting artists with singular visions who dream up ambitious projects and aren’t afraid to take risks. Can you talk about why that mission is important?

Ruby Lerner: In any field, if you don’t have experimenters, you don’t have progress. Think about the medical field. We’d still be using leeches if there hadn’t been experimentation and research. So experimentation is really critical for any field to move forward. It’s imperative. In the arts we see a lot of risk aversion, so there need to be portals where risk is honored and appreciated. Not all risks will succeed but we need people to stand behind the risk takers and that’s a role we’ve created for ourselves. Continue reading

Sanford Biggers’ Band Moon Medicin To Perform at Creative Capital Benefit

MoonMedicingif1 MoonMedicingif2

We’re so excited that Sanford Bigger’s band, Moon Medicin, will be playing at our 15th Anniversary Benefit next Tuesday, October 21! Sanford is a 2008 Visual Arts awardee, but his work is truly interdisciplinary—encompassing sculpture, installation, performance, and the music he makes with Moon Medicin. To preview their music and videos, check out their amazing website.

To purchase tickets for the Benefit event, click here.