Braden King and Matthew Moore, CUMULUS
This fall, Braden King (2005 Film/Video) and Matthew Moore (2008 Visual Arts) were in residence at Grand Central Art Center (GCAC) in Santa Ana, CA, creating the multimedia installation Cumulus (on view through January 5, 2014). A massive, four-ton, 60-foot long sculpture and video installation that employs custom programming and projection mapping, Cumulus is a meditative reflection on the 100th anniversary of the Los Angeles Aqueduct.
GCAC’s Director and Chief Curator, John Spiak, describes the installation: “Through the use of building materials, specifically used scaffolding planks, the artists have created a massive pipeline that emerges from one side of the gallery before quickly disappearing into the other. Projected upon it are moving images of atmosphere and landscape, traversing its surface as fluidly as water flows through the aqueduct itself.” Continue reading
“Breeze” by Audrey Phillips
2013 is a landmark year for Creative Capital—we’re celebrating the tenth anniversary of our Professional Development Program! In that decade, we’ve worked with more than 6,500 artists in 275 communities. In honor of each of those artists, we present the new monthly series PDP Stories, in which we’ll share our participants’ accounts of how we’ve impacted their careers and lives.
This month’s PDP story comes from Audrey Phillips, an artist from Maitland, FL, who attended a 2007 Core Workshop hosted by the Florida Department of State Division of Cultural Affairs.
The Creative Capital PDP program made me aware of the task ahead: if you want to be a successful professional artist you have to diversify and stretch your talent. Even before the big market crash of 2008, the PDP program was introducing artists to different ways to get your art seen and purchased. It was making artists aware that the days of being solely represented (and funded) by galleries is over and we have to diversify our venues—and we, as artists, have to take charge of that. It was a hard-hitting message and a valuable lesson. Continue reading
Postcommodity (2012 Visual Arts) presented on their project The Repellent Fence at the 2013 Creative Capital Artist Retreat. The Repellent Fence is a monumental, site-specific installation that examines the cultural, political, economic and ecological issues of indigenous migration within the context of the Tohono O’odham Nation located in southern Arizona and northern Sonora, Mexico. You can watch more artist presentations from the Retreat on our Vimeo channel.
Paul Rucker (2012 Film/Video) presented on his project Recapitulation at the 2013 Creative Capital Artist Retreat. You can watch more artist presentations from the Retreat on our Vimeo channel.
On Friday, September 27, Paul will present in the Creative Capital session, Art @ The Edge, at the IdeaFestival in Louisville.
Ken Nintzel, “You Are Here.” Photo by Eileen Costa.
Ken Nintzel (2009 Performing Arts) is premiering his Creative Capital-supported project, You Are Here, with an installation in the Brooklyn Academy of Music’s Lepercq Space as part of the BAM Next Wave Festival. You Are Here is a modular installation that recreates the constellations of the night sky in physical form, as they are depicted in celestial atlases, and suspends them overhead to create a life-size stellarium. Each animal and human constellation figure has embedded LED lights plotting the stars that make up the constellation. In natural light, viewers experience the three-dimensional animal and human forms; as the light fades, the figures recede into silhouette and the star patterns emerge. Continue reading
Clockwise from top left: Eric Dyer, Elaine Tin Nyo, Paul Rucker, Jesse Sugarmann
On Friday, September 27, Ruby Lerner presents at the IdeaFestival in Louisville with four amazing Creative Capital grantees: Eric Dyer (2012 Film/Video), Paul Rucker (2012 Visual Arts), Jesse Sugarmann (2012 Film/Video) and Elaine Tin Nyo (2013 Emerging Fields). This marks the fourth year that we have been invited to present “Art at the Edge” at this celebration of innovation and intellectual curiosity.
This year’s IdeaFestival artists are a truly interdisciplinary group of makers and thinkers, and we’re thrilled that 21c Museum will exhibit photographic and video work by the Creative Capital artists in conjunction with the Fest. Continue reading
Taraneh Hemami (2012 Visual Arts) presented on her Creative Capital-supported project, Fabrications, at the 2013 Artist Retreat. You can watch more artist presentations from the Retreat on our Vimeo channel.
Images and text in this presentation are from the Theory of Survival digital archives, and Manijeh Nasrabadi’s forthcoming research publication on the Iranian Student Association.
2013 is a landmark year for Creative Capital—we’re celebrating the tenth anniversary of our Professional Development Program! In that decade, we’ve worked with more than 5,900 artists in 170 communities. In honor of each of those artists, we present the new monthly series PDP Stories, in which we’ll share participants’ accounts of how we’ve impacted their careers and lives.
This month’s PDP story comes from Tom Virgin, a Miami-based visual artist who has participated in several workshops including our 2007 Miami Core Workshop, 2009 Miami Advanced Core Workshop and 2010 & 2011 Miami Internet For Artists Workshops.
Spring 2011: The Creative Capital Professional Development Program brought me from an earnest beginner to an earning artist. Although the concept of creating a practice with multiple legs of support did not come from Creative Capital, a detailed analysis of my practice that pointed out the strands that I was missing, overlooking or undervaluing did. At this point, teaching remains an important strand to my overall career, but changes in funding by local, state and federal institutions are pointing me towards more studio practice. I am in the process of updating three years of new work to my website in a open source WordPress structure. Continue reading
Installation view of Directions: Jennie C. Jones: Higher Resonance at the Hirshhorn Museum and Sculpture Garden, Washington, DC, 2013. Photo: Cathy Carver.
The newest offering in the Directions series at the Hirshhorn Museum and Sculpture Garden in Washington, DC is the first solo museum exhibition of Creative Capital grantee Jennie C. Jones (2008 Visual Arts). A site-specific installation spanning painting, sound and sculpture, Higher Resonance addresses the central themes of Jones’ artistic practice, creating a multisensory experience interweaving the narratives of black history and art history.
Jennie C. Jones grew up listening to jazz. Though she never received formal musical training, Jones transformed her interest in music and her engagement with history and theory into an audio-visual practice. Struggling to find the content at the heart of her largely abstract, conceptual work, Jones had what she calls her “artistic epiphany”: the realization that the music she was listening to as she drew or painted directly affected the marks she made. Continue reading
Shih Chieh Huang, Seductive Evolution of Animated Illumination, 2013
The art world has gotten used to managing their calendars around the Venice Biennale every two years. In 2009, a collateral event was added to the offerings. In an effort to connect the history of Venetian glass production to the slew of contemporary art enthusiasts coming to town, Glasstress was formed. Seeking to illuminate the “…limitless possibilities inherent in glass,” organizers invited leading contemporary artists to collaborate with Murano glass blowers to create new work. Artists in 2009 and 2011 included Mona Hatoum, Chen Zhen, Fred Wilson, Dan Graham, Tony Oursler, Kiki Smith, Vik Muniz and Monica Bonvicini.
The 2013 iteration of Glasstress includes new work by Shih Chieh Huang (2009 Emerging Fields). Huang combined his process of making sculptures with household materials, animated by using original computer algorithims, with the traditional Venetian chandelier. The result connects Huang’s interest in technology and commercial culture with the great history of design from the islands of Murano. Continue reading