Emily Johnson (2013 Performing Arts) presented her project Shore at the 2013 Creative Capital Artist Retreat last summer. Shore is a multi-day performance/installation of dance, volunteerism, feasting and storytelling. The project develops in each venue over an extended period of time, requiring conversation and collaboration amongst organizations. Shore begins with a feast, followed by a night of curated storytelling. You can watch more artist presentations from the Retreat on our Vimeo channel.
On May 19, The Village Voice presented its 59th annual Obie Awards, celebrating achievement in the Off-Broadway and off-off Broadway theater. We were thrilled to hear that Lisa Kron (2000 Performing Arts) received a 2014 Obie for the musical theater work Fun Home.
Based on the graphic memoir by lesbian cartoonist Alison Bechdel, Fun Home dramatizes Bechdel’s coming-of-age and her relationship with her closeted gay father. The critically acclaimed musical adaptation ran at The Public Theater from October to December 2013. Along with Kron as the playwright and lyricist, composer Jeanine Tesori and director Sam Gold also received Obie Awards for the production.
Kyle Abraham (2013 Performing Arts) presents his project The Social at the 2013 Creative Capital Artist Retreat. The Social is a reflective, evening-length dance work that explores social dance and the memories associated with attending your first school dance, church function or house party. Facilitating an open environment for audiences to get up and dance before and after the show, the work embodies what those experiences were like for the viewer and performer alike. You can watch more artist presentations from the Retreat on our YouTube channel.
In this episode of the PBS web series The Art Assignment, 2013 Performing Arts awardee Jace Clayton (aka DJ /Rupture) challenges you to take a walk from where you live and find the quietest place. Here are his instructions for completing this “art assignment”:
1. Go outside and talk a walk from where you live or are staying at the moment.
2. Continue until you’ve found the quietest place possible.
3. Take a moment to absorb it. Then document the place through photography or video. Upload it to your social media platform of choice using #theartassignment.
Read more and join the conversation on the Art Assignment YouTube page.
Ruby Lerner: Thanks for taking the time to speak with me, Ben! A bit of background, before we get started: In 2011, the Doris Duke Charitable Foundation asked Creative Capital to partner with them to launch and oversee the Doris Duke Performing Artist Awards Program (DDPAA), which announced its third class of awardees yesterday. I know that we’re both so excited to begin working with this extraordinary roster of artists. We talked about the birth of DDPAA in an interview for this blog back in April 2012, so we thought it would be interesting to do a “Part Two” now about what has been learned over the past few years working together to bring the program to life. We had a similar discussion on a session at last year’s Grantmakers in the Arts conference in Philadelphia.
Thinking back on the initial vision for the DDPAA program, what do you think the biggest changes have been (if any) to adapt the program to the needs of the artists? Continue reading
luciana achugar (2013 Performing Arts) presents the New York premiere of her Creative Capital-supported project, OTRO TEATRO, at New York Live Arts, April 2-5, 2014. Placed metaphorically in the ruins of a collapsed theater, OTRO TEATRO is achugar’s current search for another kind of theater; a ritual of becoming; an occasion for communion. OTRO TEATRO, a solo work created and performed by achugar, is a dark rite of passage from destruction to rebuilding. It is a dance that is meant to be felt as it is seen, giving voice to the arcane spirit and desire of our uncivilized bodies. Continue reading
As part of our “Artist to Artist” interview series, Queen GodIs (2013 Performing Arts) and Tracie Morris (2000 Performing Arts) met up at the Brooklyn Museum to discuss commonalities in their work. The following is an excerpt from their conversation. You can listen online to the full podcast, or subscribe through iTunes.
Queen GodIs: This is Queen GodIs, Creative Capital grantee, 2013, with the honor of being with Tracie Morris, a Creative Capital grantee from…
Tracie Morris: The first class of Creative Capital—2000.
Queen: I’m excited. I think there are a lot of parallels that I’m interested in discovering between our work, and some new things. I’m excited to see what she’s up to in this time and figuring out what we’re doing now. I’m going to start with what I call a “check-in.” I think that before you start an interview and start with asking people questions about their business, you want to see what’s on their brain for the day. This check-in is actually inspired by a quote of yours that I heard in an interview that you did with Charles Bernstein. You said: “Our subconscious says things that our consciousness has to catch up to.” I thought that was an awesome statement—a profound statement—and one that rings true in so many ways. So for this check-in, it’s just a quick thought, word-association based on this year in America. So I’m going to throw out some words, and you just give me one or two words—short, simple, off-the-top, first things that come to mind.
As part of our “Artist to Artist” interview series, Miwa Matreyek (2013 Performing Arts) and Janie Geiser (2000 Performing Arts) sat down to discuss commonalities in their work. The following is an excerpt from their conversation. You can listen online to the full podcast, or subscribe through iTunes.
Miwa: We’re here talking about our work for Creative Capital. I just showed Janie my Creative Capital project, This World Made Itself, and I’ve seen a lot of Janie’s puppetry work as well as her films, and Janie’s seen my work. We’ve been in each others’ worlds for a few years. Janie was one of my mentors from CalArts who really inspired me to do performance, so it’s really thrilling to have this conversation.
Janie: Yeah, I’m very happy to be here talking with you in your apartment, where I can feel the presence. I see the collages that I’ve seen on your website. It’s really amazing. So, it might be a good starting place, thinking about your work as collage and how you combine images and how you went from still collages into performance and film.
Miwa: I actually consider the performances as a collage. Continue reading