The 2013 TCG Conference was held in Dallas, TX, June 6-8.
If I had to summarize the 2013 TCG conference, I would describe it as the collective expression of a desire to move from “yes or no” thinking to “yes and no” thought/action. From formal lectures to side conversations waiting in line at the food trucks, participants demonstrated a profound desire to move beyond binary thinking and competitive isolationism in a more collaborative effort to improve the overall health of the American Theater.
Formatted after an academic model, participants self-selected one of four “majors” (Financial Adaptation, Diversity and Inclusion, Artistic Innovation and Audience Engagement). Because of MAP’s funding priorities, I chose the Artistic Innovation arc with a minor in Diversity and Inclusion. Continue reading
2012 MAP Fund grantees The Body Cartography Project
The Multi-Arts Production (MAP) Fund, administered by Creative Capital, supports artists, ensembles, producers and presenters whose contemporary performance work embodies a spirit of exploration and deep inquiry. I’m so proud to say that today the MAP Fund announced—for the 24th consecutive year!—a roster of grantee projects that will make anyone interested in contemporary performance swoon. Thanks to the generous financial (not to mention moral) support of our funders, the Doris Duke Charitable Foundation and the Andrew W. Mellon Foundation, MAP is supporting 41 projects this year, with $1,200,000 in cash grants. This is the highest amount MAP has ever had the privilege of distributing, with the average grant at $30,000 (up from $25,000), and typically accounting for 30 percent of a project’s budget.
Before a single artist even sets foot on a stage, there’s so much to applaud in these works. Reading through the project descriptions one can’t help but be inspired by the courage and tenacity of contemporary performance makers all across the country. Issues that can seem paralyzing when encountered in a headline are here approached with a subtlety and humanity that leave little room for despair. I think of Susan Narucki’s San Diego-based project, Cuatro Corridos, which is using music and poetry to look at human trafficking across the U.S.–Mexican border. Or Kamala Sankaram and Susan Yankowitz’s new work, The Thumbprint of Mukhtar Mai, which will make an opera of the story of the first woman in Pakistan to bring her rapists to justice through trial. Continue reading