Queen GodIs: This is Queen GodIs, Creative Capital grantee, 2013, with the honor of being with Tracie Morris, a Creative Capital grantee from…
Tracie Morris: The first class of Creative Capital—2000.
Queen: I’m excited. I think there are a lot of parallels that I’m interested in discovering between our work, and some new things. I’m excited to see what she’s up to in this time and figuring out what we’re doing now. I’m going to start with what I call a “check-in.” I think that before you start an interview and start with asking people questions about their business, you want to see what’s on their brain for the day. This check-in is actually inspired by a quote of yours that I heard in an interview that you did with Charles Bernstein. You said: “Our subconscious says things that our consciousness has to catch up to.” I thought that was an awesome statement—a profound statement—and one that rings true in so many ways. So for this check-in, it’s just a quick thought, word-association based on this year in America. So I’m going to throw out some words, and you just give me one or two words—short, simple, off-the-top, first things that come to mind.
Srikanth Reddy (2013 Literature) presented on his Creative Capital-supported project, Underworld Lit, at the 2013 Artist Retreat. You can watch more artist presentations from the Retreat on our Vimeo channel.
At our 2013 Artist Orientation Weekend, Creative Capital Literature Consultant Ethan Nosowsky led a focus session entitled “Working with Publishers and Developing a Publishing Strategy.” It offers general advice for artists in all disciplines who will be working with a publisher and outlines key moments in the publication timeline.
About Ethan Nosowsky Ethan Nosowsky is Editorial Director at Graywolf Press and Literature Consultant for Creative Capital. He began his career at Farrar, Straus and Giroux, served as Graywolf’s editor-at-large from 2007–2011, and was most recently Editorial Director at McSweeney’s. He has edited books by Jeffery Renard Allen, Emily Barton, Elias Canetti, Geoff Dyer, Stephen Elliott, John Haskell, J. Robert Lennon and Isaac Bashevis Singer, among many others. He has taught in the Creative Writing program at Columbia University and has written for Bookforum, the San Francisco Chronicle and Threepenny Review.
Our friends at the Knight Foundation recently published this great article by Scott Cunningham on lessons learned in organizing a poetry festival for Miami-Dade County, an exceptionally diverse community of 2.6 million people. Scott and the Knight Foundation are putting these lessons to use as they prepare for the second O, Miami Poetry Festival, which will take place throughout the month of April in celebration of National Poetry Month.
Three years ago, a group of friends and I started to dream up what a lot of people considered impossible: a festival that would bring poetry to all 2.6 million residents of Greater Miami.
At that time, Miami’s cultural scene was exploding. Art Basel was in full force, and we wanted to do a festival that was the opposite of the “pipe-and-blazer” readings that most people associate with poetry. We wanted to do a festival that reflected Miami’s diversity and personality.
Today, Creative Capital announced our 2013 project grants in the categories of Emerging Fields, Literature and the Performing Arts, representing a total of 46 funded projects by 66 artists hailing from 17 states and Puerto Rico. The 2013 grantees were selected through an open-call, three-phase application process from a pool of more than 2,700 applicants. Creative Capital’s investment in each project includes up to $50,000 in direct financial support (disbursed at key points over the life of each project), plus more than $40,000 in advisory services, making our total 2013 investment more than $4,140,000.
Traditionally, Creative Capital’s Emerging Fields projects have centered on pushing the boundaries of technology. This year technology is embedded in most of the 17 funded projects, but is not the subject of the work. Instead, many are issue-focused, dealing with the environment, food, immigration, incarceration and urbanism, among others. Specifics include: a media artist who will build projectors from discarded e-waste; a public performance event planned and executed with a community in San Juan, Puerto Rico; a series of immersive dining experiences set in future worlds; and a multimedia exploration of state-sponsored human rights atrocities. Continue reading →
With about a week left to apply for an Arts Writers Grant, we’d like to share an example of a recently completed Arts Writers project. Cynthia Carr’s Fire in the Belly: The Life and Times of David Wojnarowicz, awarded a book grant in 2008, is a biography of the controversial painter, photographer and writer, as well as a history of the East Village art scene, the AIDS crisis, and the “culture wars” of the late ‘80s and early ‘90s. I recently spoke to Carr about the cultural histories she weaves together in this remarkable book, which will be published by Bloomsbury on July 17.
Kareem Estefan: When the experimental writer Kathy Acker performed alongside Wojnarowicz for an ACT UP (AIDS Coalition to Unleash Power) benefit at the Drawing Center in 1991, she called him a “saint.” Yet one of the things I appreciate most about your book is that, far from a hagiography, it is a very critical biography. You show Wojnarowicz to have been irascible and selfish as often as he was gentle and generous, and so a very complex picture emerges.
Cynthia Carr: I had to show all the sides of him in order to create a true picture. It wouldn’t be a real biography otherwise. He was definitely not a saint. He was an angry person, and yes—complicated. He also created a myth around himself, as a kind of cloak, trying to hide himself. When he was first interviewed in 1984, he was already doing it: “I was a hustler, my father beat me…” and everything else is erased, because he didn’t want to talk about his mother or siblings. The father’s dead, so he can say what he wants about him, and he can go right to the hustling, “and then I met Peter Hujar [his long-time partner],” just to make it simple.
By the time I interviewed him in 1990, he told me that he regretted doing that. I mean, those things are true. He was a hustler; he just erased a lot. And one thing you have to do in a biography is break through that: what really happened? Continue reading →
Ben Marcus (2009 Literature) just shared the completed book trailer for The Flame Alphabet with us! Prepare to be awed (and completely creeped out) by Erin Cosgrove’s brilliant animation and Ben’s chilling story.
The Flame Alphabet, which was just selected as an Amazon Best Book for January, will be published by Knopf on January 17. Ben will be reading at events across the country in the coming months; click here for listings.
We were so thrilled to hear that Ben Marcus (2009 Literature) is collaborating with fellow grantee Erin Cosgrove (2008 Film/Video) on an animated book trailer for his Creative Capital-supported project, The Flame Alphabet. Ben wrote to us, “The book trailer is going to be an exciting piece of art in its own right—Erin does amazing work, and in some sense this piece will also stand on its own as part of her oeuvre.”
The Flame Alphabet will be published in January by Knopf. In Library Journal‘s advance review of The Flame Alphabet, Barbara Hoffert writes:
Fierce, scary, hurtful, unsettling, and brilliant, this new work by award-winning novelist Marcus (Notable American Women) reminds us that language is dangerous and that we’ll do anything to protect our children, even when they are (literally) killing us. In the world imagined here, a terrible epidemic has descended: whenever children speak, adults sicken and eventually die. At first, only Jewish families are stricken, stirring echoes of history’s uglier sentiments. But soon every adult is affected. Continue reading →