On the cusp of the debut of their new film, The Yes Men (2000 Emerging Fields) have written a blog post for us detailing the various ways they have funded their feature-length projects over the past decade. From working with HBO to desperately touring Sundance to using crowd funding platforms, it hasn’t always been easy, they tell us.
We are currently preparing for a June 12 release of The Yes Men are Revolting, the third movie in a series that began fifteen years ago with a Creative Capital grant. As we gear up for the release, one of the most common questions we’re asked is how we support our work. Sadly, the answer today is more difficult and complex than ever.
In 2000, we were in the first round of awards from the fledgling Creative Capital. In hindsight, we really had no clue how lucky we were. We leveraged that grant to get a few more (NYFA Fellowships, a Herb Alpert Award, a couple of Guggenheim and Langlois grants). That covered the cost of launching a barrage of creative actions aimed at the World Trade Organization, which became the backbone of our first film, The Yes Men. The grants covered these actions, and the filmmaking costs were covered by Chris Smith, the Sundance prize-winning director who directed that movie, using his earnings from commercial work to finance it all. Continue reading