Cristina Ibarra (2005 Film/Video) premieres her Creative Capital-supported documentary, Las Marthas, in San Antonio’s CineFestival with a screening at Guadalupe Theater on Tuesday, February 25 at 9:00pm. The film is the winner of the festival’s Special Jury Award. Las Marthas had its broadcast premiere on PBS’s Independent Lens on February 17 and is available to stream online through PBS Video until March 19. Other upcoming festival screenings include San Diego Latino Film Festival, Chicago Latino Film Festival and Ambulante California. Continue reading
What does applying to Creative Capital really mean? What do you have to do to make it happen?
Creative Capital is one of the only national nonprofit organizations that offers awards to individual artists through an open application process. This means that anyone can apply, as long as you meet our basic eligibility criteria. In the past, Creative Capital has received 2,700 to 3,200 Letters of Inquiry (LOIs) in each award round. We work all year with arts professionals throughout the country to review your proposals before announcing the 46 funded projects.
On February 3rd, our application website will open to accept your LOI, with a submission deadline of February 28. The LOI is just a written proposal with no work samples. Once you fill out your contact information, education, professional accomplishments, and the name and email of one reference, you can begin to fill out your project proposal.
VIDEO: Trailer for Bill Morrison’s Decasia
We were thrilled to hear that Bill Morrison’s Creative Capital project Decasia was added to the U.S. Library of Congress’ National Film Registry in December 2013. An 80-minute film created from restored nitrate footage re-photographed onto 35mm, Decasia uses decaying reels from the early days of film to investigate the human desire to transcend the limitations of earthbound existence. The spectacular score for Decasia was composed by Bang On A Can co-founder Michael Gordon.
Morrison received the Creative Capital award for Decasia in 2001 and completed the film in 2002. Decasia has the distinction of being the most contemporary film yet accepted into the Registry, which is restricted to works that are at least 10 years old.
You can read more about Decasia and the other 2013 National Film Registry selections in The Washington Post.
This fall, Braden King (2005 Film/Video) and Matthew Moore (2008 Visual Arts) were in residence at Grand Central Art Center (GCAC) in Santa Ana, CA, creating the multimedia installation Cumulus (on view through January 5, 2014). A massive, four-ton, 60-foot long sculpture and video installation that employs custom programming and projection mapping, Cumulus is a meditative reflection on the 100th anniversary of the Los Angeles Aqueduct.
GCAC’s Director and Chief Curator, John Spiak, describes the installation: “Through the use of building materials, specifically used scaffolding planks, the artists have created a massive pipeline that emerges from one side of the gallery before quickly disappearing into the other. Projected upon it are moving images of atmosphere and landscape, traversing its surface as fluidly as water flows through the aqueduct itself.” Continue reading
Jesse Sugarmann (2012 Film/Video) presented on his project We Build Excitement at the 2013 Creative Capital Artist Retreat. You can watch more artist presentations from the Retreat on our Vimeo channel.
On Friday, September 27, Jesse will present in the Creative Capital session, Art @ The Edge, at the IdeaFestival in Louisville.
On Friday, September 27, Ruby Lerner presents at the IdeaFestival in Louisville with four amazing Creative Capital grantees: Eric Dyer (2012 Film/Video), Paul Rucker (2012 Visual Arts), Jesse Sugarmann (2012 Film/Video) and Elaine Tin Nyo (2013 Emerging Fields). This marks the fourth year that we have been invited to present “Art at the Edge” at this celebration of innovation and intellectual curiosity.
This year’s IdeaFestival artists are a truly interdisciplinary group of makers and thinkers, and we’re thrilled that 21c Museum will exhibit photographic and video work by the Creative Capital artists in conjunction with the Fest. Continue reading
On Saturday, September 28, Rick Prelinger (2012 Film/Video) celebrates the New York premiere of his Creative Capital-supported project No More Road Trips? in the Convergence program at the New York Film Festival. Artfully assembled from thousands of home movies and amateur films, No More Road Trips? explores the highways and byways of a period in American history that may well be in our rearview mirror. Focusing on road culture and the question of whether we, as a nation, may have reached “peak travel,” No More Road Trips? is a perpetual work in progress—an interactive movie-going experience that can only be completed when you, the audience, lend your voice to provide the soundtrack and narration. Continue reading
This week, The Museum of Modern Art presents If Films Could Smell, a retrospective program of films by Roddy Bogawa (2000 Film/Video). The exhibition features 14 films ranging from experimental shorts to narrative features. Born and raised in Los Angeles, Bogawa studied art and sculpture and played in punk bands before turning to film. In his youth, Bogawa struggled with a desire to assimilate until the punk scene gave him a way to truly express himself, and the DIY punk aesthetic continues to influence his work. Continue reading