Artist to Artist: Lisa Bielawa and Arturo Vidich Talk Performance in the Unlikely Spaces of Abandoned Airfields

Lisa Bielawa, Tempelhof Field
Lisa Bielawa will stage a musical performance at Berlin’s Tempelhof Field May 10-12.

Artists Lisa Bielawa (2006 Performing Arts) and Arturo Vidich (2013 Performing Arts) have more in common than meets the eye. Though they work in different media­—Bielawa is a musician and composer, Vidich is a choreographer—both Creative Capital grantees are taking on community-building and place-making in an unusual space: the repurposed military airfield.

Bielawa’s Airfield Broadcasts project has two iterations, one at the Tempelhof Field in Berlin (premiering this weekend, May 10-12) and the other at Crissy Field in her native San Francisco (October 26-27). Each performance involves between 100 and 1,000 musicians, from student groups to professional orchestras, performing Bielawa’s hour-long composition in these massive public spaces for audiences both intentional and accidental. Bielawa incorporates musical composition and choreography to fully explore the sonic and spatial relations of each former airfield.  Continue reading

PDP Brings Practical Tools to Artists in Nashville

The Arts & Business Council in Nashville hosted its second Professional Development Program Core Weekend workshop for local artists in late September. The workshop has been described as a ”crash course in self-management, strategic planning, fundraising and promotion.” The ABC staff asked the participating artists what they learned, and compiled this amazing video of their feedback (click Play above to watch). We’re thrilled to hear that the artists walked away with so many practical tools!

Learn more about PDP’s workshops and webinars for artists

Meet Our Newest Internet for Artists Workshop Leader, Brad Stephenson

Brad Stephenson presenting at a recent Internet for Artists workshop at the Montana Arts Council in Kallispel, MT

Brad Stephenson is our Professional Development Program’s newest Internet for Artists Workshop Leader. We think Brad has made a great addition to our team and, having just completed an amazing weekend workshop with the Montana Arts Council in Kallispel, MT, we asked fellow PDP Workshop Leader Matthew Deleget to help us introduce Brad to the broader Creative Capital community.

Matthew Deleget: Tell us a bit about your background and how you got involved in the arts.

Brad Stephenson: I was an introvert during my middle and early high school days, and a fantastic teacher convinced me to join show choir. Singing quickly became a passion, which led to musical theater, which led to straight plays, which led me to pursue a bachelor’s degree in acting from the University of Kentucky. After spending time as a standup comedian in New York (yes, standup is an art form), I moved to Pittsburgh and completed the Master of Arts Management program at Carnegie Mellon University. My day job is digital marketing at CMU, but I continue to work on various artistic projects. I am also a grant award finalist for a film project called Reel Pittsburgh, a community-based video project focusing on the people of the greatest city in the world. Continue reading

Artful Learning Online: Our New Webinars for Artists

As you likely know by now, Creative Capital’s Professional Development Program (PDP) just launched its new Online Learning Program for artists working in all disciplines nationwide. Drawing on PDP’s “artist to artist” learning model, the new program includes seven 90-minute live webinars addressing the following pressing issues facing artists:

* Applying for Grants and Residencies: Strategies for Writers, with Ethan Nosowsky
* Business Management, with Jeffrey Gibson
* Creating a Marketing Strategy, with Dread Scott
* Social Media: How to Be Everywhere All the Time, with Eve Mosher
* Real Life Budgeting, with Andrew Simonet
* Web Site, Blog & Email Essentials, with Steve Lambert
* Visual Arts Round Table, with Matthew Deleget

We offer two webinars per month on a rotating basis and hope to reach artists working in every corner of the country, especially in locations where we haven’t had the resources yet to travel.  Anyone with access to a computer and the Internet can attend.  To date, we’ve had artists participate from more than 39 states–we couldn’t be more excited about it. Continue reading

Podcast: New Media in the Marketplace


Jason Salavon, Karolina Sobecka, Stephen Vitiello, Marina Zurkow

LISTEN TO THE PODCAST

Over the years, we’ve found that a number of the artists we support in our Emerging Fields category have questions about how they can better market and exhibit their work. They have questions about pricing and editioning; changing formats; what it is that they are actually selling when they offer a work for sale; what their obligations to representatives and collectors are after a sale; and whether or not they should even participate in an art market that is, in their eyes, more sympathetic and better able to represent works in more conventional or established media.

On November 2, Creative Capital hosted a webinar for grantees to explore some of these issues and answer specific questions from artists working in new media. Continue reading

Crowdfunding Tips from Jennifer Fox

Earlier this year, Jennifer Fox (2005 Film/Video grantee) raised over $150,000 on Kickstarter for her new film My Reincarnation, making hers one of the most successful film campaigns in Kickstarter’s history. Even more impressive is the fact that Jennifer achieved this level of success on her first foray into the world of online fundraising. She learned a lot through the process of this crash-course and offers her Top 10 Crowdfunding Tips:

1. Reach Out to Family and Friends
Unlike what many will tell you, I must say that for me family (and friends) are more about getting emotional support than money. It is very dicey to ask people you know and love to give you their hard earned funds. I had some friends tell me that they felt offended that I was emailing them about our campaign. Discussing this with them led to some very interesting insights about why I feel this is a democratic and legitimate way to support the arts. But I am not here to proselytize. I immediately backed off. In a way what they are saying is true: they don’t ask me to fund their passion, why should I ask them to fund mine? However, that’s not exactly how I see it: I believe that the film project, My Reincarnation, has a greater good for humanity and is a contribution to people’s lives. Hence, it must be seen and is worth funding.  

Continue reading