Photo Gallery: ArtServe Michigan Presents PDP Workshops in Ann Arbor and Detroit

Aaron Landsman of Creative Capital listening in on a question on artist community engagement. Photo Credit: Sarah Nesbitt, ArtServe Michigan

Creative Capital workshop leader Aaron Landsman taking questions about artist-community engagement at the workshop in Ann Arbor.

This week, more than 40 artists participate in two Professional Development Program (PDP) workshops in Ann Arbor and Detroit, MI, hosted by ArtServe Michigan. The first workshop, presented in partnership with the Stamps School of Art & Design at the University of Michigan, takes place on July 17 and is a one-day intensive focusing on Strategic Planning and Community Engagement. The second is a Core Skills Weekend Workshop for the 2014 Kresge Fellows, taking place from July 18-20 in Detroit. Continue reading

Quintan Ana Wikswo and Arturo Vidich on Degenerate Art Ensemble’s Blog

"The Daedalus Effect and other dilemmas," New York Live Arts off-site at The Invisible Dog Art Center, 2013 (photo: Ian Douglas)

“The Daedalus Effect and other dilemmas,” New York Live Arts off-site at The Invisible Dog Art Center, 2013 (photo: Ian Douglas)

Degenerate Art Ensemble (2013 Performing Arts) recently invited Quintan Ana Wikswo (2013 Emerging Fields) to write for their blog every day for 14 days. In the fifth post of this series, Quintan sat down with fellow Creative Capital Artist Arturo Vidich (2013 Performing Arts) to discuss their “underworlds, undergrounds, and innerworlds to communicate with what’s been erased, banished, exiled, excluded, hidden, contained.” You can read the original essay on Degenerate Art Stream. Continue reading

Jake Yuzna on Curating “NYC Makers: The MAD Biennial”

MAD Interview

FROM LEFT: “Ghost Food” by Miriam Simun; Elaine Tin Nyo; Faye Driscoll; and Meredith Monk

This summer the Museum of Arts and Design in New York is hosting an ambitious biennial featuring New York City’s makers, craftspeople and artisans. The exhibition, NYC Makers: The MAD Biennial, includes a vast range of artists and designers from the visual to the culinary arts, and often straddles boundaries of multiple disciplines. Included in the show are Creative Capital Awardees Elaine Tin Nyo (2013 Emerging Fields), Faye Driscoll (2013 Performing Arts), Meredith Monk (2000 Performing Arts), Miriam Simun (2013 Emerging Fields) and Natalie Jeremijenko (2013 Emerging Fields), and the exhibition’s head Curator is another Awardee, filmmaker Jake Yuzna (2012 Film/Video). Among other things, Yuzna spoke to us about how he was able to curate the show and simultaneously achieve the main goal of the exhibition: to give the community a voice.

Alex Teplitzky: What about DIY/Maker culture—and specifically New York maker culture—interests you? Why is it important to do this show now? What makes this city so appealing and special to generate and foster a network of makers?

Jake Yuzna: NYC Makers: The MAD Biennial approaches the term “maker” in a very broad way. Although “maker” is often associated with “maker faire” and DIY engineering/technology culture, MAD seeks to expand this to include any cultural producer who directly creates their own work. NYC Makers: The MAD Biennial is much closer to a survey of cultural production in NYC than just looking at alternative technology or engineering. With the Biennial, the goal was to present all of cultural production, from the more “blue chip” forms that are associated with fine arts alongside those disciplines that are often unrecognized, like craftspeople or tradespeople. To me it’s a fascinating grand experiment, this kind of approach. It really puts all of culture together on a level continuum in order to recognize it in all its many forms. It moves past questions like “is it art?” “is it design?”, etc, etc, and towards a sweeping and inclusive approach to culture. 

Continue reading

Video: Emily Johnson at the 2013 Creative Capital Retreat

Emily Johnson (2013 Performing Arts) presented her project Shore at the 2013 Creative Capital Artist Retreat last summer. Shore is a multi-day performance/installation of dance, volunteerism, feasting and storytelling. The project develops in each venue over an extended period of time, requiring conversation and collaboration amongst organizations. Shore begins with a feast, followed by a night of curated storytelling. You can watch more artist presentations from the Retreat on our Vimeo channel.

PDP Spanish-Language Workshop in Philadelphia: A “taller” at Taller

Photo from a Taller Puertorriqueño event

Photo courtesy of Taller Puertorriqueño

Taller means workshop in Spanish, so it was apropos that Creative Capital hold a Taller profesional de desarollo para artistas at Taller Puertorriqueño (or Taller for short) in April in Philadelphia. Known as “The Cultural Heart of Latino Philadelphia,” Taller is a community-based multidisciplinary arts organization whose work bridges European, African, Caribbean and Latino societies and cultures. They offer programs for youth and adults, operate art galleries featuring Latino/a artists, run the region’s only bilingual bookstore, sponsor musical and theater events and organize a range of engaging cultural art education programs. Currently on exhibition (through July 24) is The Iconography of Meaning which explores contemporary cultural imagery used to convey ideas and thoughts about cultural identity, politics and the immigrant experience.  Continue reading

Creative Capital Featured in Los Angeles Confidential Magazine

Creative Capital Artists

CLOCKWISE FROM TOP LEFT: Daniel Roumain and Dread Scott at the 2013 Creative Capital benefit and auction; still from Miwa Matreyek’s “This World Made Itself;” Creative Capital board member and gallerist Ronald Feldman with a stereoscopic viewer made by artist Eve Sussman; “Edge of Twilight 5,” 2010, by Connie Samaras; still from Kristina Wong’s “Going Green the Wong Way;” “Heizer Detroit City Complex,” 2014, by Edgar Arceneaux

Creative Capital was the subject of a feature article by Michael Ventre in the Summer 2014 issue of Los Angeles Confidential Magazine. See below for a short excerpt and click here to read the full article online.

… Creative Capital supports artists by using venture-capital principles. Each year it sorts through applications from creative types in a wide variety of art disciplines and hands out grants of up to $50,000 in direct funding. But it doesn’t cut ties as soon as the check clears. Instead, Creative Capital provides development services and support, working with artists over a period of months—even years—to ensure that they can attain their visions. Continue reading

Put Your Name On Our New Office!

This spring we moved to a new office in NYC, thanks to the continued generosity of The Andy Warhol Foundation for the Visual Arts. It is truly a dream come true, bringing all of our programs together under one roof, with room for events, presentations of artists’ work, co-working space for awardees, and a New York home for our Professional Development Program workshops. 

We see this as a community space, and we want you to put your name all over it! Literally. Throughout July, we are asking you to name everything in the office, from the staplers to the conference rooms to our fax machine from 1999, with opportunities starting at just $15! Continue reading

Herradura Announces 2014 Barrel Art Competition and PDP Workshops in Seven Cities

Herradura Barrel Art CollectionFor the second year, Tequila Herradura has announced that Creative Capital will be the charitable beneficiary of its Barrel Art Competition. Herradura has issued an open call for artists in seven cities—Atlanta, Austin, Chicago, Los Angeles, Miami, New York City, and San Francisco—to participate in the competition. Ten artists in each city will be invited to transform tequila barrels into unique artworks and compete for a $10,000 first prize, a $3,000 second prize and a $1,000 third prize. All other participating artists will receive a $300 honorarium.

As part of their commitment to individual artists, Herradura will donate $70,000 to Creative Capital to underwrite the presentation of our acclaimed professional development workshops for artists in each competition city. All 70 artists in the Barrel Art Competition will be invited to participate in a workshop free of charge. We are so grateful for Tequila Herradura’s continued support of Creative Capital and their commitment to professional development for artists!

Download the Call for Artists for more information and apply online.

Jeffery Allen Releases “Song of the Shank,” a Lyrical Work of Historical Fiction Both “Dream-like and Real”

Left: Book cover for "Song of the Shank," published by Graywolf Press; Right: Photo of Blind Tom.

Left: Book cover for “Song of the Shank,” published by Graywolf Press; Right: Photo of Blind Tom.

Jeffery Renard Allen‘s Creative Capital-supported project, the novel Song of the Shank, is being published by Graywolf Press on June 17. At the heart of this remarkable work is Thomas Greene Wiggins, a 19th-century slave and improbable musical genius who performed under the name Blind Tom. As the novel ranges from Tom’s boyhood as a sightless, probably autistic piano virtuoso to the heights of his performing career, the inscrutable savant is buffeted by opportunistic teachers and crooked managers, crackpot healers and militant prophets. In his symphonic novel, Allen blends history and fantastical invention to bring to life a radical cipher, a man who profoundly changes all who encounter him.

Song of the Shank is already garnering tremendous critical acclaim, including a forthcoming review on the front cover of the New York Times Book Review that calls the novel “masterly” and praises Allen as “a prodigiously gifted risk-taker. In the Atlanta Journal Constitution, Jeff Calder calls Song of the Shank “a landmark of modern African-American literature,” and concludes, “Reading through this sagacious volume is like stumbling on a crooked monument covered in celestial carvings, something that aims for the stars and ends up reconfiguring constellations.” In a starred review, Kirkus Reviews raves, “If there’s any justice, Allen’s visionary work, as startlingly inventive as one of his subject’s performances, should propel him to the front rank of American novelists.” Continue reading

Video: Ela Troyano on How Our Spanish Language Workshop Builds Communities

At Creative Capital, we’re extremely proud to say that in 2014 alone we’ve already presented four Spanish Language Professional Development Workshops! We visited Queens and Los Angeles in February, Philadelphia in April and Charlotte, NC, in May to empower Spanish-speaking artists to create the careers they envision for themselves. In the above video, our Workshop Leader and 2000 Film/Video awardee Ela Troyano explains why strategic planning has been so important to her own artistic career. You can learn more about our Spanish Language Workshop here.