Artists are by definition visionary. This ability to envision the future doesn’t necessarily apply to our careers. It’s impossible to navigate to a destination you don’t know you’re going. Goal-setting gives you the agency to direct your own path to creative fulfillment. Take stock of your current situation. What are your wildest dreams? How do you get those career-defining commissions, win the most prestigious fellowship or get that fully funded international residency?
You’ll find some tips to get you started below. To develop an in-depth plan, sign up for Susan Koblin Schear’s upcoming Creative Capital webinar, Values-Based Goal Setting. The webinar explores how your values and guiding principles impact your art practice and provides a framework for establishing attainable goals that reflect these principles. Continue reading
Next week, Holcombe Waller (2013 Performing Arts) premieres his Creative Capital project, “Requiem Mass: LGBT / Working Title,” in Portland, Oregon in conjunction with PICA’s TBA Festival. Waller’s Requiem Mass is a ceremonial choral work that explores contemporary faith, advocacy through art, and collective catharsis. Performed in historic Trinity Episcopal Cathedral with an all-abilities community choir drawn from all walks of life, the Requiem is an emotional and personal work invoking remembrance and peace for the dead who have suffered persecution for their sexual orientation or gender expression.
“Requiem Mass: LGBT / Working Title” was informed by research into the pivotal gay history from the 1980s through present day and by community engagement that has included working with experts in liturgical music, queer theory, faith-based equality initiatives as well as over 100 participants in a series of choral workshops with Waller over the past year. I connected with Holcombe to learn more about the Requiem Mass and the community he has built around this work.
Jenny Gill: Music has such amazing potential to reach people on a personal and emotional level. Are there any particular musical works—religious or otherwise—that have deeply affected you, or inspired you, or provoked you?
Holcombe Waller: A few of the first pieces of music that come to mind in terms of my Requiem Project: Roger and Hammerstein’s amazing activist show tune, “You’ve Got to Be Carefully Taught,” from South Pacific, definitely changed my world. In many ways, the “Dies Irae” section of my Requiem—which I’ve titled “What’s Next”—is rooted in a similar style of musical theater social activism, albeit with a nod to the Dies Irae of Verde’s Requiem. Continue reading
Every few weeks we post tips straight from the Professional Development Program’s Artist’s Tools Handbook, a 200+ page resource we give to Core Workshop attendees, written by PDP Core Leaders Jackie Battenfield and Aaron Landsman. The book covers everything from writing to budgeting, websites to fundraising, elevator pitches to work samples. Similarly, each post is packed with practical ideas to make your life run more smoothly, leaving you even more time for your creative practice. Learn more about all of our PDP workshops and webinars here. For an in-depth look at the current best practices for social media use, join museum marketer, comedian and social media expert Brad Stephenson for Social Media – How to Be Everywhere All the Time on September 14 at 7:00pm.
Social networks have revolutionized the way people use the Internet. These online platforms for community engagement have impacted politics, culture and journalism. And they have done so quickly and completely through their potential for viral reach (if you tell two friends and they tell two friends, the effect multiplies exponentially). When you join a social network, you are participating in a multiparty conversation. This can be both liberating and confusing; staying on top your social networking presence can take a lot of time.
Frustrated by proposal guidelines? Overwhelmed with looming deadlines? Creative Capital is premiering the latest offering in our Professional Development Program just in time for application season. On September 10, Hoong Yee Lee Krakauer will share her fundraising expertise in the brand new webinar, How to Create A Project & Proposal that Gets-to-Yes. Hoong Yee, the longtime Executive Director of the Queen Council on the Arts, teaches proposal writing from a panelist’s point of view.
Uninterrupted time for art making is precious and too often elusive. A residency can reinvigorate an idling practice or provide essential time to finish a big project. The list below has something for artists of all disciplines with opportunities in international metropolises and remote villages.
Every few weeks we post tips straight from the Professional Development Program’s Artist’s Tools Handbook, a 200+ page resource we give to Core Workshop attendees, written by PDP Core Leaders Jackie Battenfield and Aaron Landsman. The book covers everything from writing to budgeting, websites to fundraising, elevator pitches to work samples. Similarly, each post is packed with practical ideas to make your life run more smoothly, leaving you even more time for your creative practice. Learn more about all of our PDP workshops and webinars here. This September, Creative Capital is offering two webinars on applying for grants so we chose a page to get you started on writing proposals. To learn more, sign up for Get Grants – How To Create A Project & Proposal that Gets-To-Yes or Applying for Grants & Residencies, Strategies for Writers.
Unfortunately, there are not enough traditional funding resources out there to support all the great work being created. For every grant awarded, there are at least one or two other projects a funder would like to support but can’t, and that are just as worthy. The same is true of every artist a gallery signs, every book that gets published and every play or album that gets professionally produced.
Leaving Governor’s Island was difficult this past Sunday as we we wrapped up this year’s session of Artists Summer Institute. Artists Summer Institute is a five-day intensive professional development opportunity for artists created and developed in partnership between Lower Manhattan Cultural Council (LMCC) and Creative Capital.
ASI provides a unique opportunity for artists for to retreat from their daily routines to focus on developing their professional skills and artistic goals. The program combines the best of LMCC’s Basic Finance for Artists and Creative Capital’s Professional Development Program (PDP) to provide a comprehensive range of training, tools, and resources for working artists. The curriculum offers arts-focused professional training in the areas of strategic planning, verbal communications, marketing and promotion, Internet optimization, financial management, and business planning. Continue reading
Ali Momeni was born in Isfahan, Iran, and emigrated to the United States at the age of 12. He currently works as an artist and professor at Carnegie Mellon. His work utilizes many technologies to explore the social lives of objects and their embedded performative qualities. As part of his Creative Capital supported project, Center for Urban Intervention Research, Momeni just released A Manual for Urban Projection, so we caught up with him to find out more about it.
Alex Teplitzky: Tell me how you got the idea for Center for Urban Intervention Research, and how it got underway. Are there political elements to the project as the name seems to suggest?
Ali Momeni: The Center for Urban Intervention Research was born out of an increasing number of collaborative, public projects that I initiated and led in the past few years. Starting with my work with MAW, an urban projection collective I founded in Minneapolis in 2008, I have spent several years creating shared experiences in public spaces that leverage new technologies and bring people together. These works (like The Battle of Everyouth, The Gutless Warrior, Statuevision) shared several features: they occur in public spaces, they are cross-generational, conversational and playful, and they use live-cinema and video projection to create an emotional connection between the work and its participants. After years of practice with this medium, I decided that it was time to create an umbrella organization for this part of my practice, a way to create a community around experiential work in public spaces.
This post originally appeared on reflectionslifeartistmom, the blog of Artists Summer Institute participant DawN Crandell. Artists Summer Institute kicked off earlier this week and runs through August 9. ASI is a five-day intensive series of workshops, seminars, and presentations featuring curriculum from Creative Capital’s Professional Development Program and LMCC’s content on financials and entrepreneurship for artists.
Wow. My brain is full and my body is exhausted and there is that familiar fear and anxiety based on insecurities of not enough. I’m not enough, I’m not doing enough. I don’t have enough. But today those feelings are being pushed to the background because I am gaining the skills and deeper confidence to climb up to the next level in my career.
For the past two days I’ve been a participant in the Artist Summer Institute presented by the Lower Manhattan Cultural Council and Creative Capital. Along with fifty-four other NYC artists, yesterday I learned about strategic planning and business planning for my career. Today was focused on marketing. I am making so many great connections and am beyond inspired by all the other artists. Continue reading