Creative Capital at PULSE NY: Auction Preview + Franco Mondini-Ruiz’s “Spring Flings & Pretty Things”

Creative Capital at PULSE NY 2013

This weekend, we’re at PULSE NY (May 9-12) presenting our 2013 Auction Presale, featuring work by LaToya Ruby Frazier, Ken Gonzales-Day, Simone Leigh, Lisa Sigal, Kerry Skarbakka, Trimpin and other amazing Creative Capital grantees. The tree you see on the right side of the photos is Sam Van Aken’s Tree of 40 Fruit. Through a process of sculpting by way of grafting and pruning, Van Aken has created a group of trees that, when mature, will have the capacity to grow over 40 varieties of fruit. You can learn more his project and all the auction artworks at auction.creative-capital.org.

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PDP Stories: Artist Carmella Jarvi on How PDP Inspired Her to Dream Bigger

2013 is a landmark year for Creative Capital—we’re celebrating the tenth anniversary of our Professional Development Program! In that decade, we’ve worked with more than 5,900 artists in 170 communities. In honor of each of those artists, we present the new monthly series PDP Stories, in which we’ll share our participants’ accounts of how we’ve impacted their careers and lives.

This month’s PDP story comes from Carmella Jarvi, an artist from Charlotte who has attended five PDP workshops in North Carolina since 2004.

I have always been an artist and a teacher. I taught public school art for 13 years right out of college while continuing my own artwork on the side. I won some grants and always had a trickle of sales. But, as much as I enjoyed teaching high school, my art and my own career always got the leftovers.

In December of 2004, I attended my first Creative Capital PDP one-day seminar, sponsored by the North Carolina Arts Council. This opened up the possibility of leaving teaching and pursuing my own dreams.

In summer 2005, I attended a weekend Creative Capital PDP retreat in the North Carolina mountains. At the end, they said, “Write down a big goal.” I wrote down that I wanted to leave teaching at the end of that school year.  Continue reading

PDP Stories: North Carolina Writer Belle Boggs on How PDP Changes Lives

2013 is a landmark year for Creative Capital—we’re celebrating the tenth anniversary of our Professional Development Program! In that decade, we’ve worked with more than 5,500 artists in 150 communities. In honor of each of those artists, we present the new monthly series PDP Stories, in which we’ll share our participants’ accounts of how we’ve impacted their careers and lives.

This month’s PDP story comes from Belle Boggs, a writer from Pittsboro, NC, who took the Core Weekend workshop through the North Carolina Arts Council in 2011. A year after her workshop, Belle wrote to us:

I realized today that it has almost been a year since my life changing Creative Capital workshop, and I thought with excitement about the lucky North Carolina artists and writers who will be participating this year. I wanted to share with you some of the ways that weekend has changed my work and my life.

When I began the workshop, I was exhausted from trying to balance a writing career with teaching a demanding five-­course load at a charter high school. I thought that I had somehow ruined my career by teaching high school—that ­no university would want to hire me—­and was trying very hard to build my C.V. while maintaining the job that I depended on financially (and loved, in many ways). But the balance wasn’t working; I was only writing in the summers and on holidays, and I found myself missing important opportunities. Every sick day I could manage, I used to attend workshops, give readings, and travel for my book. I knew that something had to change, and that feeling grew stronger as I listened to the Creative Capital workshop leaders present about valuing what truly feeds your work (and your life). I signed up for a one-on­-one conference with Colleen Keegan because I knew she would tell me I needed to quit my job. She did—using exactly the supportive, smart words I needed to hear. Continue reading

Congrats to the 18 PDP Alums in Our 2013 Class of Grantees!

PDP alums in 2013 grantee class
Top, left to right: Millicent Johnnie, Christopher Robbins, Dohee Lee, Chemi Rosado-Seijo. Bottom, left to right: Joshua Kohl, Gregory Sale, Sharifa Rhodes-Pitts, Faye Driscoll.

Ten years ago, we launched Creative Capital’s Professional Development Program (PDP) because we were inspired by our grantees own generosity. As we helped our grantees learn tools and strategies to advance their careers, they were sharing these lessons with their fellow artists. We realized that we needed to share the curriculum we had developed for our grantees with a broader community of artists.

Since then, PDP’s workshops and webinars have reached more than 5,500 artists in 150 communities across the country and internationally. We are now seeing that cycle coming full circle, as more and more artists who have received career guidance through PDP workshops are being awarded Creative Capital grants. Eighteen members of our 2013 grantee class have participated in one or more PDP workshops—that’s nearly a third!

Participating in a PDP program doesn’t give you any special consideration in our grantmaking process, but it does provide some important tools. In our workshops and webinars, artists learn writing, planning, communication, promotion and budgeting skills that can strengthen their proposals and applications for grants, fellowships and residencies. In addition, they are encouraged to develop personal strategies for setting attainable goals, prioritizing which opportunities to reach for at which times, and utilizing the support of friends and colleagues. Continue reading

PDP Stories: Houston Artist Lillian Warren on Integrating Life and Art

2013 is a landmark year for Creative Capital—we’re celebrating the tenth anniversary of our Professional Development Program! In that decade, we’ve worked with more than 5,500 artists in 150 communities. In honor of each of those artists, we present the new monthly series PDP Stories, in which we’ll share our participants’ accounts of how we’ve impacted their careers and lives.

This month’s PDP story comes from Lillian Warren, an artist from Houston who took our Core Weekend workshop through DiverseWorks in 2003:

It would be hard to overstate the impact that the Creative Capital Professional Development Program has had on my life.  I participated in the workshop eight years ago. It was truly a turning point, a eureka event that changed my self-image as an artist, my ability to set and achieve personal and artistic goals, and my mindset, which had isolated my business life from my art life. The workshop helped me integrate the two and set me on a path to connect within the art world that I had not imagined.

As a professional artist, I expanded the venues I showed in to include exhibitions across the nation, and gained representation with a gallery. I maximized the value of my one-person shows with publicity (including several articles in the main newspaper in Houston) and public events (including talks and panel discussions with art world notables, artist from different disciplines, and business executives). One of the most personally satisfying and continuing domino effects of the workshop was the tremendous expansion of my network of friends in the art world, in Houston and around the country.

As a professional who inhabits the world of business planning/strategic planning and the art world, I became a facilitator and mentor with the Creative Capital program and have helped facilitate portions of the PDP workshop on several occasions in a variety of cities, including serving as a small group mentor in Houston this past spring. I have also had the opportunity and privilege to participate as a coach in the CC Coaching Program and work with CC grantees on their personal strategic plans.

You can learn more about Creative Capital’s Professional Development Program on our newly redesigned website: http://creative-capital.org/pdp.

PDP Stories: Chicago Artist Leon Borkowski on the Creative Capital Blueprint

2013 is a landmark year for Creative Capital—we’re celebrating the tenth anniversary of our Professional Development Program! In that decade, we’ve worked with more than 5,500 artists in 150 communities. In honor of each of those artists, we present the new monthly series PDP Stories, in which we’ll share our participants’ accounts of how we’ve impacted their careers and lives.

Our first PDP story comes from Leon Borkowski, an artist from Chicago who took our Core Weekend workshop through the Chicago Artists Coalition in May 2012:

Your blueprint has created hope for all of us and is a call to logical action. In addition to this, it has been our good fortune to have forged 23 important new relationships. Our class is representative of the creme de la creme of the Chicago art scene. The sensitivity, intelligence and accomplishments of this peer group are inspirational. I have already received many e-mails and calls from participants and I look forward to future dialogues. This form of communication is a valuable sound-board for ideas. The workshop has been an exceptionally rewarding experience. As a new wave of entrepreneurial artists, I know that we can make a reciprocal contribution by our example and through the dissemination of the principles that we have learned. How exciting!

Our path is now clear. All learning requires three things: inclination, training and discipline. The first is our birthright, the second has been defined by Creative Capital, but the third is the real challenge. As humans we sometimes fall short of goals. Thankfully, the class has endowed us with the fail-safe mechanism of Creative Capital follow-ups and the support of our group. Motivating each other when life distracts us is critical to our success.

You can learn more about Creative Capital’s Professional Development Program on our newly redesigned website: http://creative-capital.org/pdp.

Creative Capital Featured in the Wall Street Journal!

lenticular wall from complex movements performance
Lentiucular Wall, from performance by 2013 grantee Complex Movements. Photo by Vanessa Miller.

We are thrilled to announce that Creative Capital is featured in today’s Wall Street Journal! The fantastic article, “Where Good Ideas Go to Live,” written by Steve Dollar, highlights a few our amazing 2013 grantees and offers insight into what makes our approach to working with artists so unique. If you’re a subscriber, you can read the full text on the WSJ’s website), and we’ve included an excerpt below:

When the downtown nonprofit Creative Capital announced on Thursday the recipients of its 2013 grants—$4.1 million to be divided among 46 projects in sums of up to $50,000, plus advisory services—the list highlighted many proposals that defy convention.

“You Are It”, by Williamsburg choreographer Arturo Vidich and machinist Daniel Wendlek, proposes a performance, inspired by the schoolyard game Tag, for 3,000 dancers and a human-powered hybrid electric airplane, staged on an abandoned runaway in Long Island.

St. Louis, Mo., artist Juan William Chávez’s “Pruitt-Igoe Bee Sanctuary” aims to transform the wooded site of a former housing project into a space for community beekeeping. Continue reading

Meet Our 2013 Grantees in Emerging Fields, Literature and Performing Arts!

 	Top, left to right: Complex Movements, Nick Hallett & Shana Moulton, Jen Bervin, luciana achugar. Bottom, left to right: Laurie Jo Reynolds, Emily Johnson, Mondo Bizarro.

Today, Creative Capital announced our 2013 project grants in the categories of Emerging Fields, Literature and the Performing Arts, representing a total of 46 funded projects by 66 artists hailing from 17 states and Puerto Rico. The 2013 grantees were selected through an open-call, three-phase application process from a pool of more than 2,700 applicants. Creative Capital’s investment in each project includes up to $50,000 in direct financial support (disbursed at key points over the life of each project), plus more than $40,000 in advisory services, making our total 2013 investment more than $4,140,000.

Emerging Fields
Traditionally, Creative Capital’s Emerging Fields projects have centered on pushing the boundaries of technology. This year technology is embedded in most of the 17 funded projects, but is not the subject of the work. Instead, many are issue-focused, dealing with the environment, food, immigration, incarceration and urbanism, among others. Specifics include: a media artist who will build projectors from discarded e-waste; a public performance event planned and executed with a community in San Juan, Puerto Rico; a series of immersive dining experiences set in future worlds; and a multimedia exploration of state-sponsored human rights atrocities. Continue reading

Alternative Histories of Contemporary Art: Projects Supported by the 2012 Arts Writers Grant


Eva Diaz’s study of the influence of R. Buckminster Fuller is being supported by a 2012 Arts Writers Grant.

Last week, the Creative Capital | Warhol Foundation Arts Writers Grant Program announced the twenty-one recipients of our 2012 grants, awarded for exceptional writing on contemporary art. You can see the full list of grantees on our website and read more about the individual writers and their funded projects here. But for this post, we’d like to zoom in a bit, identifying a theme threaded throughout an extremely diverse list of projects that tackle everything from horror films to Houston’s art scene to David Hammons.

Writing on The Lab last year, we noted the remarkable rise of blogs featuring outstanding arts writing, from The Performance Club to Printeresting. This year, we discovered a different trend, something of a mission across categories: the recovery of alternative histories—artistic, social and political—that can help us to contextualize the present and rethink the cultural paths we envision for the future. (We weren’t the only ones who noticed this: Art Fag City asserted, in a similar vein, that this year’s funded projects “reflect writing for the 99%: writing to preserve histories, writing as activism, and writing to create a community.”) Continue reading