Nick Hallett and Shana Moulton (2013 Emerging Fields) presented their project Whispering Pines ∞ at the 2013 Creative Capital Artist Retreat. You can watch more artist presentations from the Retreat on our Vimeo channel.
Postcommodity (2012 Visual Arts) presented on their project The Repellent Fence at the 2013 Creative Capital Artist Retreat. The Repellent Fence is a monumental, site-specific installation that examines the cultural, political, economic and ecological issues of indigenous migration within the context of the Tohono O’odham Nation located in southern Arizona and northern Sonora, Mexico. You can watch more artist presentations from the Retreat on our Vimeo channel.
This video includes a clip from a TEDx talk by Fiorenzo Omenetto, a Professor of Biomedical Engineering at Tufts University who is researching biomedical silk.
Jessica Almasy: Helloooo!
Neal: I was just thinking that we would get together because Jessica’s work is somewhat about America and I think that my work is about America, too. I don’t get asked about that very much. So, I wanted to talk about what it’s like to make work about America and have various experiences of people responding or not responding to it. I just wanted to have a wide-ranging and thought-provoking conversation about making work about America. [Laughs]
Jessica: Awesome. I’d like to start by giving a little context for where The Team is coming from. I’m part of the collaborative theater ensemble The Team, and we created a mission statement about ten years ago, which states that we make plays about America. So, if we’re succeeding, then that’s what we’re doing. Also, we had to create an acronym for legal purposes back in the day when we incorporated, so Team stands for Theater of the Emerging American Moment; so again, it’s right in the title. Our job is to think about what is happening right now. We gained our first traction in the UK at the Edinburgh Fringe Festival, so people really read our work as information from America being made by young Americans. We were like a specimen for them. I think there’s a really big difference when you’re out of context than when you’re ensconced in your own culture. Continue reading
On Friday, September 27, Paul will present in the Creative Capital session, Art @ The Edge, at the IdeaFestival in Louisville.
Ken Nintzel (2009 Performing Arts) is premiering his Creative Capital-supported project, You Are Here, with an installation in the Brooklyn Academy of Music’s Lepercq Space as part of the BAM Next Wave Festival. You Are Here is a modular installation that recreates the constellations of the night sky in physical form, as they are depicted in celestial atlases, and suspends them overhead to create a life-size stellarium. Each animal and human constellation figure has embedded LED lights plotting the stars that make up the constellation. In natural light, viewers experience the three-dimensional animal and human forms; as the light fades, the figures recede into silhouette and the star patterns emerge. Continue reading
Jesse Sugarmann (2012 Film/Video) presented on his project We Build Excitement at the 2013 Creative Capital Artist Retreat. You can watch more artist presentations from the Retreat on our Vimeo channel.
On Friday, September 27, Jesse will present in the Creative Capital session, Art @ The Edge, at the IdeaFestival in Louisville.
As part of our “Artist to Artist” interview series, choreographers and long-time artistic collaborators DD Dorvillier (2013 Performing Arts) and Jennifer Monson (2000 Performing Arts) sat down to discuss Jennifer’s recent performance project, Live Dancing Archive, which she presented at The Kitchen in February 2013. The following is an excerpt from their conversation.
DD Dorvillier: To start, I thought I would take on something you wrote to me: “I am interested in the possibility of the body as an archive on multiple scales at once both temporal and spatial, human and adjacent to human—the particularities of experience as something that is impermanent and leaves multiple kinds of traces, and the relationships of transmission and reception in the sound scores, in the dancing and the audience.” This idea of the possibility of the body as an archive on multiple scales—do you think of this as a metaphor, or is it an actual practice, or is it something in between? In other words, what does the body as an archive LOOK like or FEEL like? Continue reading
On Friday, September 27, Ruby Lerner presents at the IdeaFestival in Louisville with four amazing Creative Capital grantees: Eric Dyer (2012 Film/Video), Paul Rucker (2012 Visual Arts), Jesse Sugarmann (2012 Film/Video) and Elaine Tin Nyo (2013 Emerging Fields). This marks the fourth year that we have been invited to present “Art at the Edge” at this celebration of innovation and intellectual curiosity.
This year’s IdeaFestival artists are a truly interdisciplinary group of makers and thinkers, and we’re thrilled that 21c Museum will exhibit photographic and video work by the Creative Capital artists in conjunction with the Fest. Continue reading