Artist to Artist: Byron Au Yong Interviews Dohee Lee

Dohee Lee as MAGO. Photo by Pak Han

Dohee Lee as the Korean goddess Mago. Photo by Pak Han

As part of our Artist-to-Artist conversation series, Byron Au Yong (2009 Performing Arts) sat down with Dohee Lee (2013 Performing Arts) to learn more about Lee’s project MAGO, an immersive performance that blends traditional Korean arts and shamanism in a modern context. Drawing on Lee’s own family history and the current political and environmental crisis taking place in the South Korean island where she was born, Lee weaves myth, ritual, ancestors, memory, present and future into a powerful performance journey.

Byron Au Yong: You’ve been developing MAGO for a few years. This past year, there have been four seasonal ritual performances at Yerba Buena Center for the Arts, plus performances throughout the Bay Area related to this project. How have you been able to sustain this development and who has influenced your process?

Dohee Lee: Mago represents my creator goddess and my ancestors. They guide me in my dreams and during research. Anna Halprin [a pioneer in dance healing] encourages me to create my own way as an artist. She always points to my cultural background as a great resource. Her way of thinking and working gives me space to be who I am. Continue reading

Artist to Artist: Amy O’Neal and Degenerate Art Ensemble Discuss Collaborative Practices in Dance, Choreography and Site-Specific Performance

Haruko Nishimura performing with Degenerate Art Ensemble

Haruko Nishimura in Degenerate Art Ensemble performance

As part of our “Artist to Artist” interview series, Seattle-based artists Joshua Kohl and Haruko Nishimura of Degenerate Art Ensemble (2013 Performing Arts) spoke with choreographer Amy O’Neal (2006 Performing Arts), also based in Seattle, about collaboration in dance, choreography and site-specific performance work. The following is an edited excerpt from their conversation. You can listen online to the full podcast, or subscribe through iTunes.

Joshua Kohl: We thought we could talk about a whole bunch of things because we have a lot in common, and a lot of differences in our work.

Amy O’Neal: And we’ve known each other in the Seattle community for at least ten years, or more?

Joshua: Probably more.

Amy: And have been each other’s work in various ways.

Haruko Nishimura: Yeah. And we do both music and dance and different media. Maybe we could talk about process or collaboration? Amy, I know you have five projects right now, but, generally, how do you start the process from you, and how do you spread or hand over or share to another collaborator in your team or in your project?

Amy: So, this next project I’m doing is called Opposing Forces and I’m working with a cast of B-boy break dancers from Seattle. And I’m working with DJ WD40 to make original music. It’s going to premiere at On the Boards in October. Continue reading

Artist to Artist: Documentary Filmmakers Marshall Curry & Penny Lane

Penny Lane and Marshall Curry

Penny Lane and Marshall Curry

As part of our “Artist to Artist” interview series, Marshall Curry (2008 Film/Video) and Penny Lane (2012 Film/Video) connected over the phone to talk about their past and current documentary film projects. The following is an edited excerpt from their conversation. You can listen online to the full podcast, or subscribe through iTunes.

Penny: Hello! Where are you calling from, Marshall?

Marshall: My office in Park Slope.

Penny: Oh, you’re in Brooklyn. Neat!

Marshall: Where are you?

Penny: I’m in Waterville, NY, which is about five hours north and west of where you are right now. I moved to central New York this past summer for a teaching job. Continue reading

Quintan Ana Wikswo and Arturo Vidich on Degenerate Art Ensemble’s Blog

"The Daedalus Effect and other dilemmas," New York Live Arts off-site at The Invisible Dog Art Center, 2013 (photo: Ian Douglas)

“The Daedalus Effect and other dilemmas,” New York Live Arts off-site at The Invisible Dog Art Center, 2013 (photo: Ian Douglas)

Degenerate Art Ensemble (2013 Performing Arts) recently invited Quintan Ana Wikswo (2013 Emerging Fields) to write for their blog every day for 14 days. In the fifth post of this series, Quintan sat down with fellow Creative Capital Artist Arturo Vidich (2013 Performing Arts) to discuss their “underworlds, undergrounds, and innerworlds to communicate with what’s been erased, banished, exiled, excluded, hidden, contained.” You can read the original essay on Degenerate Art Stream. Continue reading

Creative Capital Featured in Los Angeles Confidential Magazine

Creative Capital Artists

CLOCKWISE FROM TOP LEFT: Daniel Roumain and Dread Scott at the 2013 Creative Capital benefit and auction; still from Miwa Matreyek’s “This World Made Itself;” Creative Capital board member and gallerist Ronald Feldman with a stereoscopic viewer made by artist Eve Sussman; “Edge of Twilight 5,” 2010, by Connie Samaras; still from Kristina Wong’s “Going Green the Wong Way;” “Heizer Detroit City Complex,” 2014, by Edgar Arceneaux

Creative Capital was the subject of a feature article by Michael Ventre in the Summer 2014 issue of Los Angeles Confidential Magazine. See below for a short excerpt and click here to read the full article online.

… Creative Capital supports artists by using venture-capital principles. Each year it sorts through applications from creative types in a wide variety of art disciplines and hands out grants of up to $50,000 in direct funding. But it doesn’t cut ties as soon as the check clears. Instead, Creative Capital provides development services and support, working with artists over a period of months—even years—to ensure that they can attain their visions. Continue reading

Put Your Name On Our New Office!

Creative Capital has always been a space that celebrates the new, daring, forward-thinking and unconventional. In the spirit of our groundbreaking artists, we’re disrupting and democratizing the opulent philanthropic tradition of named gifts…

We want you to name everything in the office, from the staplers to the conference rooms to our fax machine from 1999, with opportunities starting at just $15! We see our office as a community space, and we want you to put your names all over it! Literally.Mouse-over items below for pricing information. Dedications can writtem be in the form of names or short messages. 

We rely on contributions at all levels to propel us forward. Join us. Invest in artists who shape the future…by naming our trashcan.

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Herradura Announces 2014 Barrel Art Competition and PDP Workshops in Seven Cities

Herradura Barrel Art CollectionFor the second year, Tequila Herradura has announced that Creative Capital will be the charitable beneficiary of its Barrel Art Competition. Herradura has issued an open call for artists in seven cities—Atlanta, Austin, Chicago, Los Angeles, Miami, New York City, and San Francisco—to participate in the competition. Ten artists in each city will be invited to transform tequila barrels into unique artworks and compete for a $10,000 first prize, a $3,000 second prize and a $1,000 third prize. All other participating artists will receive a $300 honorarium.

As part of their commitment to individual artists, Herradura will donate $70,000 to Creative Capital to underwrite the presentation of our acclaimed professional development workshops for artists in each competition city. All 70 artists in the Barrel Art Competition will be invited to participate in a workshop free of charge. We are so grateful for Tequila Herradura’s continued support of Creative Capital and their commitment to professional development for artists!

Download the Call for Artists for more information and apply online.

Photo Gallery: Southern Exposure Workshop, Supported by Tequila Herradura

Creative Capital workshop participants learn about Strategic Planning and Fundraising

Creative Capital workshop participants learn about strategic planning and fundraising

On January 26th, our Professional Development Program leaders traveled to San Francisco to teach a workshop on Strategic Planning & Funding Your Work at Southern Exposure. The workshop was part of a series generously underwritten by Tequila Herradura.

We always hope that our workshops propel our artists forward in their careers, so we were thrilled when participant Rhonda Holberton told us, “This was by far the most transformative day I’ve experienced. I will leave today with such a different perspective on my practice and goals. It’s like looking up and realizing there is a sky.” Our thanks to Tequila Herradura, Southern Exposure and our wonderful workshop leaders for making these kinds of experiences possible for artists nationwide! Continue reading

Arts & Science Council of Charlotte & ArtSi To Host First Spanish-Language Workshop in North Carolina

Ela Troyano teaches a Spanish-language workshop at BetaLocal in San Juan, Puerto Rico in 2012

Ela Troyano teaches a Spanish-language workshop at BetaLocal in San Juan, Puerto Rico in 2012

We’re so pleased to announce that the Arts & Science Council of Charlotte & ArtSi will be co-hosting their first Spanish-languge Professional Development Workshop in Charlotte, NC, this May. The Arts & Science Council of Charlotte first hosted a Creative Capital workshop in 2007. Since then, participants in Charlotte have referred to the knowledge shared at our workshops as “well rounded, articulate, truly helpful information,” and we can’t wait to teach more of that useful advice to the Latino community in Charlotte, NC.

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Video: Matt Moore & Sam Van Aken at TEDxManhattan: Changing The Way We Eat

On March 1st, Creative Capital Artists Matt Moore and Sam Van Aken spoke at TEDxManhattan: Changing The Way We Eat. Watch their talks below!

Moore is a fourth generation family farmer, working artist and food activist. Moore farms outside of Phoenix, Arizona, and exhibits his video and installation artwork internationally. Through these practices, he addresses issues of ecological, cultural and economical sustainability and the potential loss of small independent farms. In the video above, he presents his Creative Capital Project The Digital Farm Collective, in which he collects and shares images of the most important daily process of agriculture—the growth of our produce.

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